Genre:
Full text:
Sol ab occasu roseos ad ortus luce qui terras meliore lustrans noctis Hispanae nebulas et atras discutis umbras | Cuius exortu tenebrosus error fraus et inconstans furor et profanus luxus et vanae sitiens profugit ambitus aurae | Sed redit fas et pietas revixit et fides casto redimita cultu paxque cum sancta probitate et aequi conscia virtus | Hispalis clarum iubar Isidore redde virtutes vitiis repulsis fac et ad priscos redeant caduca saecula mores | Haec rogat sacras tua gens ad aras dum Deo vero pia vota fundunt qui tibi festum peragunt ovantes Betis alumni | Laus honor virtus tibi sit perennis celsa maiestas hominum creatrix quem Deum trinum celebrant et unum rite fideles
Fulltext source:
E-E 112-II-56
Notes:
Hymn for Matins on Feast of Saint Isidore of Seville (April 4) attributed to Francisco Pacheco (1535-1599) (Brea, Calero, 2013, p. 274). Text in Officia propria Sanctorum Hispalen. Ecclesiae (1591)
Comments
a03053 Musical sources
a03053 Musical sources
Chant with musical notation in the following choir books (plainchant) of the Cathedral of Seville: E-SEV L-37b (fol. 119r) with the melody mSTA183; E-SEV L-44b is a palimpsest, the melody mSTA183 has been scraped; E-SEV G-133 (fol. 69v) contains a different melody.
a03053 Bibliography:
a03053 Bibliography:
Brea, L. C., & Calero, B. P. (2013). Liturgical Hymns by Licenciado Francisco Pacheco. III. Hymns to Saint Isidorus and to Saints Iusta and Rufina. Minerva: Revista de filología clásica, (26), 269-297.
https://dialnet.unirioja.es/servlet/articulo?codigo=4461861
Luque, R. (2015). La Monodia sagrada en el culto a san Isidoro en la Catedral de Sevilla. En Jornadas de Historia en la Abadía: Homenaje a José Sánchez Herrero. Alcalá la Real: Ayuntamiento. pp. 93-102
Officia propria Sanctorum Hispalen. Ecclesiae, in sacra congregatione illustrissimorum Dominorum Cardinalium, pro sacris ritibus & caeremonijs a Sanct. D. N. Sixto V Pontifice Maximo deputatorum…, Salamanca, Guillermo Foquel, 1591. [Real Biblioteca del Monasterio de San Lorenzo de El Escorial, 112-II-56]